There’s A Dead Girl In My Yard
Angela Page & Mia Altieri
Publication date: December 1st 2021
Genres: Adult, Comedy, Crime
Inspired by true events!
The life of Poppy, a struggling actress, is turned upside down when she witnesses the burial of an urn in her yard. Poppy gets entangled with the “dead girl,” Dalia, a Latina health guru, whose mourners show up in the yard, and whose criminal antics, ranging from Miami to New York to L.A., sent her into a witness protection program.
Why does Poppy agree to mourner manage Dalia’s burial site?
Dead Dalia’s fan club overwhelm Poppy with their visits, as do the dangerous signs of Dalia’s former life as healer and thief. Still, Poppy finds that wearing Dalia’s clothes bring her good luck in auditions and that Dalia’s luscious, Latin lovers are irresistible. Is Dalia really dead? Once Poppy is accused of complicity with Dalia’s crimes, she wants everything Dalia out of her life.
Just after I moved into the guesthouse, they buried a dead girl in my yard. That’s when my life turned upside down and inside out for the second time. The first time was when the doctors rearranged my colon.
I was thrilled to move into the Topanga Canyon guesthouse, a boho-chic area north of Los Angeles. I knew about Topanga from growing up in the nearby San Fernando Valley. Now, as a struggling, mostly unemployed actress, I was living in a shitty, Hollywood neighborhood. Although it was a cute, little bungalow, the environment was killing me—dirty, filthy, hot, too much traffic, zero fresh air, noisy and people living on the edge. Hollywood was no longer glamorous. And parking was a son of a bitch. Also, at age forty-six, I was done stepping over homeless people. Sorry-not-sorry, and I deserved different and better. Even though many times, I had been close to homeless myself.
The universe spoke when I met Lily Jin at a Hollywood acting workshop. She was an exotic-looking and a mixed something. A twenty-two-year-old gal, and a lite-Buddhist, like me. I usually do just enough chanting to keep the demons and gremlins away for the day.
Lily was wearing torn jeans over her long, model-like legs and a midriff exposing a flat, firm tummy. There was not an ounce of fat anywhere.
Oh, to be twenty again and be able to eat, drink, smoke and snort anything. That was several decades behind me. My five-six, lanky frame was getting flabby. Yes, even skinny
people can get flabby. I was now in yucky perimenopause, with the last of my overcooked eggs dropping into withering fallopian tubes and heading down through my dried-up hoo-ha. Luckily, at first glance, you can’t tell this is happening unless you’re airport security staff.
My dirty blonde shoulder length hair only needed a bit of henna to hide the grey and my brown eyes were still bright and youthful. This helped my agent place me in the thirty-five-to-forty-five roles, despite being in my mid-forties.
To date, no surgery, minimal fillers and injectables. However, as I headed towards the half-century mark, I would revisit. In the meantime, I strove to sharpen my acting skills, and let gravity have its way with me.
While in the workshop, Lily and I tried following the acting exercise. As we were pretending to be wounded sheep during an alien invasion, Lily whispered to me, asking if I knew of anyone who wanted to rent her guesthouse. After the workshop, we went to the El Compadre on Sunset to discuss the details. We were served frozen skinny margs, then toasted each other and became besties in an instant. When Lily told me that the guesthouse was in Topanga Canyon, I shouted over the mariachi band, “I’ll take it, I’ll take it, I’ll take it!” Even sight unseen and not knowing the price, she had me at “Topanga Canyon.”
I had heard about Topanga. It was crawling with the famous and the has-beens who never were. The town was known for its eclectic artists and colorful history, including one of the Manson family murders. During the Hollywood golden age, it was the weekend getaway hotspot for the now-dead stars you can see on the Turner Classic Movie channel. It had changed, but still had some leftover glamour and pricey homes. I was already fantasizing about living among the stars, wearing designer sunglasses and sipping champagne.
Before Lily would show me the property, we had to chant together while we were still drinking at El Compadre. The place was crowded, and the mariachi band was still in high gear. I knew I looked skeptical about chanting.
“Come on, we can do it. Tune the Mexicans out,” Lily said as she closed her eyes and chanted.
The waiter came by and made a comment. But I only caught, “Locas.” I kept one eye open and one closed while I chanted with Lily. It felt like a minute, and then she paused. We both instinctually did a pinkie swear. As we exhaled, we vowed to make this living situation work. I was cleared to visit the digs. But the rent Lily was going to charge was under market. So, was there a catch: leaking roof, Peeping Toms, bad plumbing, crawling with critters?
Angela Page is a writer, film producer, and graduate of The London School of Economics and New York University.
“THERE’S A DEAD GIRL IN MY YARD” is her latest co-authored released inspired by real events!
“SUDDENLY SINGLE SYLVIA,” a novella and dating guide and the basis for the award-winning short film “SYLVIA.”
“MATCHED IN HEAVEN,” a comic fantasy romance, was the winner of the 2015 New Apple humor category and 2015/16 Readers’ Views award winner in romance.
Her short stories have been published in a variety of magazines and anthologies. She wrote and produced the multi award-winning comedy short, “Unplugging Aunt Vera” which is featured on the SHORTS TV channel. Her other short works can be seen on IndiPix Unlimited and FunnyorDie
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